DC · A story studio · San Diego

Every story is a life with an architecture.

We build stories as living worlds, designed to travel across books, screens, feeds, games, and artificial intelligence.

Seven programs in development Now recruiting writers, film and TV makers, creative talent
01 · The slate

Programs in development.

Every story is built as a world before it's built as a product: one story tree, many entry points. Here's what's on the floor right now.

Blueprint · concept and story tree Framing · pilot or opening chapters written Build · manuscript and story world in production Deploy · releasing in public

Publishers, producers, and investors: each program has a story tree and a development packet. Ask for one at the address below.

02 · The method

It started long before AI.

Michael Downs built a television production line that diagrammed historical lives as narrative trees, then scripted archival footage onto them. Those series aired on the History Channel. The same architecture shapes everything the studio makes.

A

Map the life

Every story is drawn as a tree: the people, the turns, the big nodes that define a character.

B

Script by design

Each branch becomes material for a medium: a chapter, an episode, a post, a conversation.

C

Thread the big nodes

The defining moments travel across every format, so each piece leads back to the whole.

D

Open the world

Writers, makers, and audiences enter through any branch, and every entry point leads deeper into the same story.

Developed in conversation with Henry Jenkins at USC, the scholar who named transmedia storytelling, and with publishing and media leaders including Dan Farley, Mike Shatzkin, David Hale Smith, Ted Hill, and Stu Segall.

03 · The founder
Michael Downs

Michael Downs

A novelist, screenwriter, and story architect who has spent the last several years inside artificial intelligence: tens of thousands of hours teaching a machine to imagine, to intuit, and to read the stories people carry. Most people writing about AI watch it from outside. He has lived with it, built with it, and been changed by it.

  • ScreenSold his first screenplays out of Loyola Marymount University
  • FictionFirst novel commissioned by Dan Farley, head of Harcourt's trade group
  • TelevisionDesigned the narrative production line behind series that aired on the History Channel
  • InnovationNarrative design for a Novartis-funded innovation lab, UC San Diego's CONNECT program, and a Washington policy firm
  • TransmediaDeveloped the studio's method with Henry Jenkins, Mike Shatzkin, Dan Farley, and Ted Hill
  • AICreator of the AI app John-Michael; author of the essay series I, Singularity
04 · Join the studio

We're building a crew.

The slate needs people who can make a story live in more than one place. If that's you, write to us with your work.

Wanted

Writers

Novelists, screenwriters, and serial writers who want to build inside a story world, not just a single book.

Wanted

Film & TV makers

Directors, producers, and showrunners for the screen branches of the slate.

Wanted

Creative talent

Designers, game makers, musicians, and creative technologists who can carry a story into a new medium.

Publishers · producers · investors · talent
enterprise@dynamic-composition.com